HALFWAY – ALBUM #5 OUT NOW
Halfway is an eight piece band based in Brisbane, Australia. Three of the members – John Busby, Elwin Hawtin and Chris Dale originally hail from Rockhampton, Central Queensland. After moving to Brisbane and recruiting the like-minded Ben Johnson (bass), Halfway was formed in 2000.
Joining shortly after were Dublin born brothers Noel Fitzpatrick (pedal steel) and Liam Fitzpatrick (banjo/mandolin). The finishing touches to the lineup were added with the inclusion of ex-Go-Between John Willsteed (guitar) & Luke Peacock ‘The Bird’ (keys/guitar).
I remember Ron Peno, the flamboyant singer from Died Pretty, once telling me a story about when he first moved up to Brisbane in the early 80s, to get together with guitarist Brett Myers to form the Pretties.
He related how he’d been warned by people, Watch out up there Ron, it can be dangerous with Bjelke-Peterson and all that, they don’t take kindly to southerners, especially ‘wierdos’ like you… And Ron couldn’t quite understand what they meant; until, he laughed, he hadn’t been off the train but for a few minutes – likely sashaying along in leather or latex – before he was picked up by the cops…
If that’s what Brisbane was like, imagine how much harder it must have been in Queensland’s outlying regions!
The duo at the core of Halfway, John Busby and Chris Dale, come from Rockhampton, and well do they recall how hard it was growing up in the self-proclaimed Beef Capital of Australia in the 1980s.
The first (fullscale) song on this album – and really its scene-setter and centerpiece – “Bret Canham’s Leather Jacket,” is about a kid they knew who, with his penchant for ‘weird’ clothes/hairstyles/music, stood out in Rocky the same way Ron Peno did in Brisbane,
and who similarly suffered for it… but who equally refused to submit; who flaunted it, and wore a defiant smile even as he was knocked down; who eventually fled town and lived his dream, or at least gave it a shot, in a by-then relatively more tolerant Brisbane.
Which is a not dissimilar narrative arc to that of Halfway themselves. From Brisbane, it’s a long way to go to Nashville to make a record that’s not very country, and is very Rockhampton – but just as Grant McLennan, who was conspicuously also a Rockhampton boy, had to go to London to write “Cattle & Cane,” it’s often, as they say, only the road out of town that leads you back to yourself.
And whether or not Bret Canham’s story – or Ron Peno’s, or Halfway’s for that matter – has a happy ending, the point is that Halfway go all the way. They are giving their dream a shot too, and they know that ultimately the only thing that might beat them is the inexorable passage of time itself..
Clinton Walker, 2016
Sydney we are on our way soon! Tix available here and if you pre-order your tickets you go into a pretty neat prize draw that includes back catalogue, t-shirts, new vinyl on LP and 7” and a few other things too. Friday 24 June 2016 // Doors 8:00pm HALFWAY album launch Guests: Crow, Sam Shinazzi + […]
FIVE STARS: “After careful consideration I can only conclude that this album is perfect and that there can be no doubt that Halfway is among a handful of the most talented and consistent acts in operation” – The Australian FIVE STARS: “It is a fabulous musical romp…..This has to be on your must-buy list for 2016” – Courier […]
For a band that redefined a quintessentially Australian sound on their 2014 classic ‘Any Old Love’, Queensland’s Halfway travelled halfway around the world to record their follow up ‘The Golden Halfway Record’ in Nashville, Tennessee. Working with lauded producer Mark Nevers (Calexico, Bonnie Prince Billy, George Jones) and releasing for the first time through ABC […]
2015 has been busy. In Sept Halfway recorded their 5th studio album in Nashville, with legendary producer Mark Nevers at his Beech House Studio. They also played live shows at Americana Fest which included gigs at The 5 Spot & The Basement. On their return from the States they were presented with a plaque on […]
What people are saying..
An Outpost of Promise is not only a sublime Roots-tinged Rock’n’Roll album, but Halfway’s finest record by a country mile and one deserving to be bracketed with hallowed names like The Triffids and The Go-Betweens. And I don’t say stuff like that too often, believe me.- Whisperin’ and Hollerin’ – Ireland 2010
I do not wish to saddle them with the tag of being a ‘new Go-Betweens’, although that is hardly damning praise in itself. They are not that. What they are is one of those mighty fine Australian bands, under the influence of one of the masters of Australian music, plying their trade, just as the Go-Betweens did, and I am very, very grateful for that small thing.- LEICESTER BANGS (UK)
All of which adds up to a special, resonant sophomore album by a band rapidly becoming synonymous with country-tinged quality. ‘Remember The River’ is a late contender for the upper echelons of those ‘Best of 2006’ lists and suggests that the allegedly ‘difficult’ third album may well be no hurdle at all for the eminently talented Halfway.- Whisperin’ and Hollerin’ – Ireland 2006
An Outpost Of Promise is a record for the ages-classic, straight-up and completely unpretentious. No one could accuse Halfway of being cool or fashionable, but you get the sense the band are too busy being pretty great to give two hoots about these kind of labels.
Now pour yourself a whiskey and get on board.- Inpress Australia 2010
LOCALITY shouldn’t really count any more, since great rock ‘n’ roll bands can just as easily come from Nowhere, Nebraska, as the big smoke, and sublime country can be found in the heart of the city as well as out on the backroads. It’s all there for the imagining, wherever you happen to hail from.- Courier Mail 2006